VINCENT DU BOIS
https://www.torart.com/en-ww/vincent-du-bois.aspxSchool Of The Art Institute Of Chicago (SAIC) & Roosevelt University (Chicago, USA), Mai 1992 Currently Lives and Works in Geneve Vincent Du Bois began his career in sculpture in a very traditional and academic way. After finishing school in Geneva and training on marble in the family business, he studied in Tuscany (Italy), where he was able to refine [...]BAMIYAN’S BUDDAH
https://www.torart.com/en-ww/bamiyans-buddah.aspxThe digitization of an element is essential to classify, restore or reproduce a work of art, so as to create digital replicas of original pieces in a non-invasive way. ... The Tuscan firm has already had the opportunity to collaborate with IDA (Institute for Digital Archaeology) for the reconstruction of the Palmira arch, but in the case of the Buddah the idea is to recreate [...]VENINI
https://www.torart.com/en-ww/venini.aspxThese works are unique and fail to live up because combines two different materials wit opposite resistance: glass and marble together telling poetry and craftsmanship enclosed in a single product. TONY CRAGG
https://www.torart.com/en-ww/tony-cragg.aspx Liverpool, 1949 Degrees: 1970 Gloucestershire College of Art, Cheltenham 1973 Wimbledon School of Art (BA), 1977 Royal College of Art (MA) Lives and Works in Wuppertal, Germany. ... Avoiding the manufacture of his works, Cragg has been known to combine contemporary industrial materials with the suggestion of the functional forms of trivial and antiques [...]FABRICE GYGI
https://www.torart.com/en-ww/fabrice-gygi.aspx Geneve, 1965 Degrees: 1983, École des Arts Décoratifs, Geneva 1990, École Supérieure d’Art Visuel, Geneva Currently Lives and Works in Geneve Among the contemporary artists who exhibited their sculptures between the gravestones of the Geneva cemetery for the “Open end” exhibition there is also Fabrice Gygiuna. ... Artwork: [...]ZAHA HADID
https://www.torart.com/en-ww/zaha-hadid.aspxThe work created specifically for the XIV International Sculpture Biennial of Carrara in 2010 is the product of this conception: one of the strongest materials par excellence, the marble, abandons its usual solidity to dissolve into a sensual alternation of concave and convex lines letting itself be shaped like it was the most malleable of natural elements. [...]Related searches to: Marble works